Ted Moore is a composer, improviser, intermedia artist, and educator based in Chicago. His work focuses on fusing the sonic, visual, physical, and acoustic aspects of performance and sound, often through the integration of technology. Ted’s work has been described as “frankly unsafe” (icareifyoulisten.com), “an impressive achievement both artistically and technically” (VitaMN), and “epic” (Pioneer Press). Ted’s work has been premiered by the International Contemporary Ensemble, Spektral Quartet, Line Upon Line, The Dream Songs Project, Yarn/Wire, Splinter Reeds, Quince Vocal Ensemble, AVIDduo, Imani Winds, and others, and has been performed around the world including at The Walker Art Center (Minneapolis), STEIM (Amsterdam), Spectrum (NYC), NUNC! (Chicago), New York City Electroacoustic Music Festival, CubeFest (Blacksburg, VA), Internationales Musikinstitut Darmstadt (Germany), MASS MoCA (Massachusetts), Omaha Under the Radar (Nebraska), Electroacoustic Barn Dance, Root Signals Electronic Music Festival (Georgia), SEAMUS, Punk Ass Classical (Minneapolis), and the SPLICE Festival(Bowling Green, OH), among others. Ted also frequently performs solo on electronics using his laptop, modular synthesizer systems, resonant physical objects, lighting equipment, and video projection. He has been featured as an installation artist at New York University, Northern Spark Festival (Minneapolis), Studio 300 Festival of Digital Art and Music (Lexington, KY), and St. Paul Public Library. As an improviser, Ted is one half of Binary Canary, a woodwinds-laptop improvisation duo alongside saxophonist Kyle Hutchins. As a theater artist, Ted has worked with many independent companies, notably with Skewed Visions and Savage Umbrella. He has taught in a variety of capacities, including at The Walden School’s Young Musicians Program and Creative Musicians Retreat (Dublin, NH), MacPhail Center for Music (Minneapolis), Slam Academy (Minneapolis), and McNally Smith College of Music (St. Paul).