Colloquia are the means by which graduate students integrate themselves into the broader scholarly community. There is really no substitute for this kind of real-time interaction in which we learn how to best communicate our research interests, goals, and methods.
- August Sheehy, Graduate student in Music History and Theory
The Department of Music Colloquium Series brings leaders from across the fields of music theory, history, composition, and ethnomusicology to present their work to faculty and graduate students. The series provides students with access to scholars working at the forefront of their fields. It is an all-departmental dialogue, which graduate students organize alongside faculty in response to the Department’s intellectual and musical interests.
Unless otherwise noted, colloquia are free and open to the public. Receptions follow.
Andrew Hicks, Associate Professor of Music and Medieval Studies, Cornell University
"Listening Vicariously: music and metaphor in medieval Persion Sufism"
Friday, October 6, 3:30 p.m. – Fulton Recital Hall.
Guthrie Ramsey, Edmund J. and Louise W. Kahn Term Professor of Music, University of Pennsylvania
Friday, October 20, 3:30 p.m. – Fulton Recital Hall
Phil Ford, Associate Professor of Musicology, Indiana University
“Arts and the Nuclear Age”
Friday, November 17, 3:30 p.m. – Fulton Recital Hall
Christian Wolff, Emeritus Professor of Classics at Dartmouth University
"Procedures and issues in my recent and some older music”
Friday, January 19, 3:30 p.m. – Fulton Recital Hall
Kyra Gaunt, Assistan Professor, Music Department, University of Albany
"Dewey's Transactionalism: Rethinking Music and Digitally-Distributed Experience in the Art of YouTube Twerking"
Friday, February 2, 3:30 p.m. – Fulton Recital Hall
Eliott Powell, Assistant Professor, Department of American Studies, University of Minnesota
“Super Freaks and ATLiens: The Queer Afro-South Asian Aesthetic Futures of Rick James and OutKast”
Friday, March 2, 3:30 p.m. – Fulton Recital Hall
Amy Cimini, Assistant Professor of Professor of Music, University of California San Diego
“Maryanne Amacher's Wild Sound”
Friday, April 5 at 4:30 p.m. - Logan Center Penthouse
William Cheng, Assistant Professor of Professor of Music, Dartmouth College
"'His Music Was Not a Weapon': Black Noise, Breakable Skin, and the Plundered Voice of Jordan Russell Davis"
Friday, April 13 at 3:30 p.m. - Fulton Recital Hall
Miriam Escudero, Tinker Visiting Professor, Center for Latin American Studies
"Federico Mialhe’s 'Three Kings’ Day': the importance of prints in the study of 19th Century Cuban musical iconography."
Co-sponsored by the Center for Latin American Studies
Friday, April 27 at 3:30 p.m. - Fulton Recital Hall